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Other articles where New Testament Apocrypha is discussed: biblical of Philip) preserve some legends and myths found in the early Christian centres of Edessa, especially the apocryphal gospels, contain many sayings attributed to Jesus.

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Washington, D. Aksakov, Sergei. Duff, pp. Oxford: Oxford University Press. Alekseev, M. Stikhotvorenie Pushkina "Ia pamiatnik sebe vozdvig Problemy ego izucheniia. Leningrad: Nauka. Al'fonsov, V. Poeziia Borisa Pasternaka. Leningrad: Sovetskii pisatel'. Anderson, Roger. Houston: Cordovan Press. Annenkov, P. Literaturnye vospominaniia.

Moscow: Khudozhestvennaia literatura. Aseev, Nikolai. Stikhotvoreniia i poemy. Babel, Isaac. The Collected Stories. Walter Morrison. New York: Criterion. Nathalie Babel. New York: Farrar and Straus. Baiburin, A. Sbornik statei molodykh filologov k piatidesiatiletiiu professora lu. Lotmana , pp. Tartu: TGU. Bakhtin, Mikhail. Rabelais and His World. Helen Izwolsky. Cambridge, Mass. Problems of Dostoevsky's Poetics. Caryl Emerson. Minneapolis: University of Minnesota Press. Balzac, Honore de. Blauvelt, N. Barnes, Christopher. Cambridge, Eng.

Barratt, Andrew. Yuri Olesha's "Envy. Between Two Worlds. Bayley, John. Beaujour, Elizabeth K. The Invisible Land. New York: Columbia University Press. Begak, B. Kravtsov, and A. Russkaia literaturnaia parodiia. Ann Arbor, Mich. Belinkov, A. Sdacha i gibel' sovetskogo intelligenta.

Iurii Olesha. Belozerskaia-Bulgakova, L. Belyi, Andrei. Masterstvo Gogolia. Bernstein, Michael Andre. Chicago: University of Chicago Press. Bethea, David. His Life and Art. Princeton, N. Bloom, Harold. Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press. Hillis Miller. Deconstruction and Criticism. New York: Continuum.

Bocharov, S. Poetika Pushkina. Moscow: Nauka. Moscow: Sovetskaia Rossiia. Bogojavlensky, Marianna. Bowlt, John. Bradbury, Ray. Fahrenheit '. New York: Simon and Schuster. Bremond, Claude. Paris: Librairie Larousse. Brik, O. Briusov, Valerii. Brodsky, Joseph. Elegy to John Donne and Other Poems. Nicholas Bethell. London: Longmans. Ostanovka v pustyne: Stikhotvoreniia i poemy. New York: Chekhov. Selected Poems. George Kline. New York: Harper and Row. Novye stansy k Avguste. To Urania. New York: Farrar, Straus and Giroux. Brooks, Cleanth. The Well-Wrought Urn.

New York: Harcourt Brace Jovanovich. Brown, Clarence, ed. New York: Viking. Brown, Edward J. Major Soviet Writers: Essays in Criticism. London: Oxford University Press. Russian Literature Since the Revolution. Bulgakov, Mikhail. The Master and Margarita. Michael Glenny. Heart of a Dog. Mina Ginsburg. New York: Grove Press. Bulgakova, Elena. Dnevnik Eleny Bulgakovoi. Moscow: Knizhnaia palata.

Bunin, Ivan. Koteliansky and Leonard Woolf. Paradise Road, Richmond, Eng. Sobranie sochinenii. Burgess, Anthony. A Clockwork Orange. New York: W. Carden, Patricia. Chalmaev, V. Andrei Platonov. Ocherki zhizni i tvorchestva. Voronezh: Tsentral'no-Chemozemnoe knizhnoe izdatel'stvo. Chatman, Seymour. Ithaca, N. Chekhov, Anton. The Short Stories of Anton Chekhov. Robert N. New York: Modem Library. Polnoe sobranie sochinenii i pisem. Ralph E. Chernyshev, V.

Znamia, no. Chukovskii, K. Clark, Katerina. The Soviet Novel: History as Ritual. Clark, Katerina, and Michael Holquist. Mikhail Bakhtin. Culler, Jonathan. On Deconstruction: Theory and Criticism after Structuralism. Davie, Donald, and Angela Livingstone, eds. Pasternak: Modern Judge ments. Nashville, Tenn. Debreczeny, Paul. The Other Pushkin. Stanford, Calif. The Resistance to Theory.

Derzhavin, G. Doring-Smirnov, J. The Village of Stepanchikovo and Its Inhabitants. Ignat Avsey. London: Angel Classics. Dunham, Vera. Dymshits, A. Edmunds, Lowell. Baltimore: Johns Hopkins University Press. Eikhenbaum, Boris.

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Ray Parrott and Harry Weber. Eisenstein, Sergei. Jay Leyda, pp. Elizarenkova, T. Lotman, ed. Epshtein, M. Lavrin, ed. Moscow: Moskovskii rabochii. Pasternak: A Collection of Critical Essays. Englewood Cliffs, N. Fanger, Donald. The Creation of Nikolai Gogol. Fasmer, M. Etimologicheskii slovar' russkogo iazyka. Moscow: Progress. Fet, A. Fleishman, Lazar. Boris Pasternak v tridtsatye gody. Jerusalem: Hebrew University Magnes Press. Foucault, Michel. Discipline and Punish: The Birth of the Prison. New York: Pantheon. Frank, S. Novgorodtsev, ed. Sbornik statei, pp. Moscow: Moskovskoe Psikhologicheskoe Obshchestvo.

New York: Karz Howard. Freidenberg, O. Leningrad: GIKhL. Freidin, Gregory. Berkeley: University of California Press. Freud, Sigmund.

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Strachey, 24 vols. London: Hogarth Press. Frye, Northrop. The Anatomy of Criticism. Fusso, Susanne. Gale, Robert L.

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A Henry James Encyclopedia. New York: Greenwood Press. Gasparov, Boris. Bulgakova Master i Margarita. Ocherk istorii russkogo stikha. Bakhtin in Russian Culture of the Twentieth Century. Ann Shukman. Studies in Twentieth Century Literature 9, no. Geller, M. Andrei Platonov v poiskakh schast'ia. Genette, Gerard. Paris: Seuil. Hillis Miller, pp. Narrative Discourse: An Essay in Method. Gershenzon, M. Moscow: Knigoizdatel'stvo pisatelei. Moscow: GAKhN. Ginzburg, Evgeniia. Journey into the Whirlwind.

Ian Boland. Within the Whirlwind. Krutoi marshrut. Kniga Pervaia. Kniga vtoraia. Ginzburg, L. Chelovek za pis'mennym stolom. Gippius, V. Providence, R. Gippius, Zinaida. Munich: Wilhelm Fink. Girard, Rene. Giraudoux, Jean. Oeuvre romanesque. Paris: Grasset. Glasse, Antonia. Alekseev, ed. Issledovaniia i materialy, pp.

Gogol, N. Polnoe sobranie sochinenii. Selected Passages from Correspondence with Friends. Jesse Zeldin. Gopp, Filipp. In Suok-Olesha and Pel'son, comps. Graham, Stephen, ed. Great Russian Short Stories. London: Ernest Bennet. Graves, Robert. The Greek Myths. Harmondsworth, Eng. Grin, Alexander.

Crimson Sails: A Fantasy. Grossman, Joan D. Berkeley, Calif. Groys, Boris. Gesamtkunstwerk Stalin. Munich: Carl Hanser. English trans. Guerney, Bernard G. New York: Random House. Gunther, Hans. Gurvich, A. Literaturnokriticheskie stat'i, pp. Moscow: Iskusstvo reprinted from Krasnaia nov', , no. Gustafson, Richard. Leo Tolstoy: Resident and Stranger. A Study in Fiction and Theology. Hammarberg, Gitta.

Hanson, Krista. Guilt and Rebellion in Zoshchenko's Accounts of Childhood. Harari, Josue, ed. Harkins, William E. Holland, Laurence. Iakubovich, D. Vremennik pushkinskoi komissii 4: Ianovskaia, Lidiia. Tvorcheskii put' Mikhaila Bulgakova. Moscow: Sovetskii pisatel'. Ilf, Ilya, and Evgenii Petrov. Kak sozdavalsia Robinzon. John H. Charles Malamuth. New York: Frederick Ungar. Ingdahl, Kazimiera. Isenberg, Charles.

Columbus, Ohio: Slavica. Ivanov, V. Jackson, Robert Louis. Dostoevsky's Underground Man in Russian Literature. Jakobson, Roman. John Burbank, pp. The Hague: Mouton. Minneapolis: The University of Minnesota Press. James, Henry. The Novels and Tales of Henry James. New York Edition. Vol New York: Scribner's. Albert Mordell. New York: Twayne. Anthony Curtis.

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Jensen, Peter Alberg. Copenhagen: Rosenkilde and Bagger. Kaganskaia, M. Master Gambs i Margarita. Tel Aviv: Milev. Karabchievskii, Iurii. Voskresenie Maiakovskogo.

Munich: Strana i mir. Karlinsky, Simon. The Sexual Labyrinth of Nikolai Gogol. Kataev, Valentin. Almaznyi moi vents. In his Almaznyi moi venets. Povesti, pp. Kaverin, Veniamin. Katz, Michael R. Hanover, N. Kazanskii, B. Tynianov, eds. Mikhail Zoshchenko. Stat'i i materialy. Leningrad: Academia. Kern, Gary. Khodasevich, Vladislav. Sobranie stikhov. Paris: La Presse Libre. Kohut, Heinz. New York: International Universities Press. Komar, V. Artforum 20, no. Kopelev, Lev. Paris: Institut d'Etudes Slaves. Korolenko, V. Fortunatova, ed. Tolstoy v vospominaniiakh sovremennikov, pp.

Kreps, Mikhail. Kucherovskii, N. Bunin i ego proza Tula: Priokskoe knizhnoe izdatel'stvo. Kurdiumov, A. V kraiu nepuganykh idiotov. Kniga ob ll'fe i Pet rove.

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Kuryluk, Ewa. Evanston, Ill. Kustarev, O. Lakshin, V. Tolstoy i Chekhov. Langleben, Maria. Bunin: Structure and Interpretation" unpubl. Leach, Maria, and Jerome Fried, eds. San Francisco: Harper and Row. Legman, Gershon, ed. The Limerick. New York: Bell. Leitch, Vincent. Deconstructive Criticism: An Advanced Introduction. Lemon, Lee T. Reis, eds. Russian Formalist Criticism: Four Essays. Lincoln: University of Nebraska Press.

Levinton, G. Meletinsky and S. Nekliudov, eds. Sbornik statei pamiati V. Proppa , pp. Lifshits, Mikhail.


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Limonov, Eduard. Kuzminskii, A. Tsvetkov, and E. Limonov, Troe. Ne razmykaia ust, pp. Los Angeles: Almanac Press. Humanities in Society University of Southern California 7, nos. Paris: Vivrisme. Also in E. Limonov, Kon'iak "Napoleon. Tel-Aviv: M. Michelson and Nina. Livingstone, Angela. Lomonosov, M. Polnoe Sobranie Sochinenii. Loseff, Lev.

Munich: Otto Sagner. After the liberation of Ukraine, she moved to the city of Perm in the Urals where she worked for local newspaper and radio. Panova' play, Devochi , won a Committee on the Arts award as the best play for young people on a contemporary theme. During the war years Panova began writing the factory novel Kruzhilikha , set in a factory town in the Urals. Often her characters were not only good or bad citizens, and in the portrayal of Listopad, an egocentric, she showed her skills in created a likeable "negative hero".

In she was invited to travel from Perm on board a hospital train. Her journey formed the basis for the popular novel Sputniki , The Train , which won a Stalin Prize. Later on it was adapted into screen under the title The Charity Train and in it was turned into a four-part television film. The plotless story, written as a direct assignment from the Union of Soviet Writers, was composed of series of episodes, and depicted human relationships and suffering under war conditions.

Despite criticism she won a second prize for Kruzhilikha , and her third Stalin Prize was awarded for Yasny bereg From the early Panova wrote regularly for the journal Novyi mir. Sentimentalnyi Roman was largely autobiographical work and reflected some of her experiences as a young reporter. This story was adapted to screen by Igor Maslennikov in the s. It was a psychological novella, seen through the eyes of a small boy, whose life changes when his widowed mother marries a collective farm director, a kind and understanding man. Serezha was turned into a film in , which received the main prize at the 12th Internatinal Film Festival in Karlovy Vary.

Panova managed find room for her literary creativity and her liberal views under the pressure of the censorship and the constraints of Socialist Realism. Though she wrote about women's lives, her perspective was not strictly feminist; the term "woman writer" had in Soviet society negative connotations dating from prerevolutionary times. Focus on domestic issues and the private sphere without ideological content was regarded as a serious drawback by censors and critics.

Panova's later works include Vremena goda , which was attacked at the Leningrad Writers Conference and in the press. Vsevolod Kochetov, a minor novelist, criticized Panova's work for its "naturalism" and lack of "Party spirit". The story depicted everyday life in the Soviet Union. Dorofeya, an ambitious party official, whose son Gennadi gets involved with hooligans. Another central character is Bortashevich, a top-level Communist bureaucrat and a scoundrel.

Panova boldly implied a parallel between criminal elements and corruption: Gennadi and Bortashevich are victims of social their social and personal circumstances. The book was an immediated success with the reading public and was also well received in England and the United States.

A Leningrad writer Kiril Koscinski characterized Panova as straightforward and sharp in her evaluation of the authorities. On the other hand, she participated with a number of other decent writers in the campaing against Boris Pasternak , regarding the publication of Doctor Zhivago abroad as a provocation against the Soviet intelligentsia. In the s Panova travelled in the United States as a part of a delegation of Soviet authors and described her impressions in From My American Encounter.

Panova also published plays, film scenarios, memoirs O Moei Zhizni, Knigakh i Chitateliakh , and some historical novellas about Russian princes and saints. In she suffered a serious stroke. Vera Panova died in Leningrad on March 3, She was married three times: Arsenii Starosel'skii , divorced in , Boris Vakhtin separated , David Iakovlevich from You think when your Dad's done his seven or eight hours he's finished for the day. Apart from a bit of voluntary work he may have to do, of course, or a meeting. But when you begin to grow up and go on your own, to the left and right of the gate, the you see what a mass of different things men have to occupy their time.